Vayu Naidu Company Limited productions (selections 2000-2010) Videos of youtube vayu naidu company excerpts
Ramayana; Bhakti & the Blues; Nothing but the Salt; South; Manimekalai
Radio Drama BBC Radio 4
selected works 1998-2003)
There Comes a Karma shortlisted for the Richard Imison Award; When; Guess who’s coming to Christmas?
Playboy of the Asian World
Without a Stitch in DRESS, VOGUE and Harper Collins India (2018)
Jagruti in DESI GIRLS
ed. Divya Mathur (2016)
ed. Divya Mathur (2003)
Cultures of Silence in FLAMING SPIRIT
ed. Rukhsana Ahmad and Rahila Gupta: Virago UK (1999); is also translated in Danish
UNDER THE BANYAN
Series (Tulika Publishers, 2000 on in five Indian languages and English)
Eyes on the Peacock’s Tail; Hiss! Don’t Bite; A Curly Tale; The Magic Vessels
Poetry - Wolf 1, 2, 3
Translations from Hindi of Sarveshvar Dayal Saxena in CHANDRABHAGA
Woman Foetus and other poems, THE TELEGRAPH ( India)
The Poetry Society (1991)
Vayu Naidu was awarded Europe’s first Phd in oral traditions of Storytelling from South Asia at The University of Leeds, The Workshop Theatre. While exploring Rasa, establishing a bridge of emotive intelligence for performers of Storytelling, she set out as a practitioner using Indic and African story as a metaphor for contemporary performance. She installed the first Storytelling Programme at the University of Kent with an AHRC postdoctoral Fellowship creating discourse and methodology in Intercultural performance with oral narratives.
Her work with migration and mental health, Learning for young adults with behavioural disorder, multicultural literacy in Primary and Secondary Education, with victims of Domestic violence and in Prisons won her the Arts and Humanities Faculty Teaching award for Training and creating Apprenticeships.
Her creative and political work in diversity won her Arts Council England Revenue Funding (2004-2011) to establish Vayu Naidu Storytelling Theatre Company Videos of youtube Vayu Naidu company a Charity, touring nationally and internationally with new works in World Music, Jazz, Contemporary dance, Bharata Natyam, Kathak, and African Caribbean Carnival with world orchestras and British Composers. Her work Future Perfect with Birmingham Contemporary Music Group and composer Judith Weir CBE toured with the British Council across England and India. She was a Senior Lecturer at The University of Kent. In 2013 she was appointed as the first Sage-in-Residence at Eton College, working in partnership with diverse Independent schools in relooking at the teaching of epics as Literature from world cultures and their significance in an an age of celebrity.
Her academic and Arts Practice is digitally archived;
http://spa.exeter.ac.uk/drama/presence/presence.stanford.edu_3455/Collaboratory/admin/versionsc977.html?pageid=1109# Southasiandiasporaarts www.sadaa.co.uk